Tag Archives: Wendell Berry

The Power of Pansies and The Peace of Wild Things

I AM PUSHING a rickety garden cart through Pepper’s Greenhouses in Milton, Delaware, following behind my 91-year-old father as I have done in plant nurseries and gardens my entire life.

(Once when I was six, I tagged along on a fancy garden tour, shadowing my Dad so closely that I caught the wrath of a bee’s nest he awakened as he forged ahead of me through a narrow gap in a privet hedge. One sting on my tummy under a loose-fitting summer sleeveless blouse and one on my bare freckled arm earned me a place in his arms for the trip back to the car.)

Today it is cold and drizzly, a maddening reminder of the fickle fate of March vacationers. My husband and I have been luxuriating in the past three days of 60- and 70-degree weather, using our little respite from real life to explore the Delmarva peninsula during the day while visiting with my Dad over coffee in the mornings and family meals in the evenings.

From the wild ponies and windy dunes of Assateague Island to the salt marshes and Loblolly pine barrens of Prime Hook Wildlife Refuge and Cape Henlopen State Park, the hours of walking outdoors have been thoroughly restorative.

Yet the turn in the weather provides a good excuse to go plant-perusing (and shopping) with Dad.

I have filled the top basket in the cart with six-packs of pansies. Pansies were the first flower my Dad let me pick from his gardens when I was young, and I loved to bring them to my teachers at school, my fist nearly crushing the fragile stems wrapped in wet paper towel and aluminum foil before I ever reached the classroom.

Here I spy my favorite Frizzle-Zizzle mix amidst a sea of color. Flats and flats of pansies line the long corridor that connects the maze of greenhouses at Pepper’s, each a domino of treasure: one housing perennials, another annuals; herbs to the left, vegetable seedlings to the right; woody perennials and deciduous shrubs around the corner, fruit trees further on down the line. But the pansies merit a special spot in March — the plant nursery’s equivalent to Easter or Halloween candy in the grocery store.

Some people scoff at pansies, or worse, ignore their ubiquitous presence in early spring, thinking them mundane. But I will always love them and their little viola and johnny-jump-up cousins, especially now that I know how many truly beautiful varieties are available if you look hard enough (or decide to start them from seed).

Curly petals, sweet scents, unusual colors, artful veining and Jackson Pollock blotches – their charms are many. Not to mention their habits: They tolerate the cold, show up early in spring, and bloom profusely as long as you keep picking them ( a win-win). Plus, the petals are edible!

Erin Benzakein at Floret Flower Farm (my flower hero) even grows them as cut flowers, lengthening the stems to up to 15 inches by growing them under row cover. I might try that. But even without long stems, the shorties make long-lasting posies in a creamer or small glass jar.

Dad and I have come to a crossroads. To the right is the hellebore and snowdrop greenhouse. To the left is a wooden door leading out to a small yard filled with dogwoods. I follow Dad out to the dogwoods and the drizzle, my cart rattling now with a ceramic flower vase I’ve nabbed as we passed through the vast houseplant wing. The owner of Pepper’s stops to greet Dad, who is a frequent visitor. Everyone knows him there and treats him warmly.

Theoretically we are just browsing, but as Dad begins to tell me about the merits of this and that dogwood (his current favorite is Appalachian Spring), I start looking at the tags on the Kousa dogwoods (Cornus kousa), the pretty Chinese dogwoods that are less susceptible to the anthracnose disease that has attacked and killed many native dogwoods (Cornus florida). Dad mentions he has been looking for a Kousa called “North Pole” as a possible replacement for the Japanese maple at my mother’s grave. I bend down and look at all the tags, moving pots around on the puddly tarmac to peer in. But no North Pole. We turn to leave and I notice a handsome dogwood set aside on a bench with a “sold” sign on it. Dad asks me what the variety name is on the tag, and I report that it’s a “Snow Tower.”

“That’s it!” He says excitedly, laughing, realizing that in trying to recall the name of the variety he’d read about, he’d settled on North Pole when really the name was Snow Tower. Quickly I see that he is disappointed though, as this one is sold. I tell him I’m sure that I’ve seen another Snow Tower in all the tags I looked at a few minutes ago. I go back into the sea of pots and soon we have three Snow Towers to look at. We debate the merits of each and discuss how each might be pruned, finally choosing our favorite. I tell Dad I would like to buy it as my contribution to the gravesite landscaping (Mom is in with a bunch of other relatives!), and soon we are stuffing it, along with the pansies, some Thai Basil, the flower vase, and a few bottles of deer repellent (for me, cheaper in Delaware than on the Island) into the car.

Not our biggest haul ever, but a good day. A stop at the Food Lion to pick up a can of baked beans to go with the BBQ pork Dad has in the slow-cooker for dinner, and we’re home.

Photo of Dad taken back in November before the wedding by fabulous photographer Maria DeForrest.

This is a day I want to bottle up and bring back to the Vineyard with me along with the pansies. Is that possible? Can you carry over the good feelings from one day, one week, to the next? I wonder, can you actually bank the comfort and joy of these days, storing them up to fall back on when you need them, here on the sharp side of reality where pure evil looms?

I think so.

One morning in Delaware I toppled out of bed early, grabbed my coffee, and found a quiet nook to squinch up my knees, rest my laptop on my pajamas, and dial into a virtual meeting of my fellow travelers in sobriety. One of the first things I heard that came bounding through the fog of sleepiness was the phrase “spiritual armor.” I smiled at that and knew right away what the speaker was referring to – the idea that all the work we do on a daily basis (from doing the next right thing to letting go, from praying to forgiving, from checking our motives to practicing acceptance) makes us better able to handle the wonky stuff when it threatens to throw us off the beam.

#pansiesforUkraine

There is such a thing as building up a spiritual reserve, keeping our spiritual muscles flexed. Not only has this idea been hammered into me, but I’ve experienced the benefits of it again and again.

In the same way, I’m using those days in Delaware – both the relaxed time spent in nature with my husband and the precious time spent with my Dad, as well as my sister – as a deep well of comfort right now. Dipping into that well is a tool, a deliberate practice of gratitude, that feels especially important to use right now. I (like all of us) must focus my energy on what’s good and delightful and joyous in life — or despair, as Wendell Berry says in The Peace of Wild Things (below), will grow in me, and in us all.

The Peace of Wild Things 

When despair for the world grows in me

and I wake in the night at the least sound

in fear of what my life and my children’s lives may be,

I go and lie down where the wood drake

rests in his beauty on the water, and the great heron feeds.

I come into the peace of wild things

who do not tax their lives with forethought

of grief. I come into the presence of still water.

And I feel above me the day-blind stars

waiting with their light. For a time

I rest in the grace of the world, and am free.

— Wendell Berry

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Crafty Like a Fox

“Be like the fox who makes more tracks than necessary, some in the wrong direction.” 

— Wendell Berry

How I wound up on Martha’s Vineyard had much to do with farmer-writer Wendell Berry. A friend gave me his book The Art of the Commonplace: The Agrarian Essays when I was in very early sobriety, and it was no less than a complete wake-up call about the discomfort I was feeling living in a high-end suburb. I had no idea how much my true self longed for a more rural lifestyle, longed to be part of the natural world rather than a distant observer of it.

I had a chance to meet Berry several years ago, and he is as gracious and wise as one would hope. And I continue to dip in and out of his writings, because he is more articulate about the declining state of our natural world — and the declining relationship between man and nature — than any living writer I know (he is now 88). And he’s been at it for decades.

As early as 1968, when his essay, “A Native Hill,” was first published (collected in the 2002 edition of The Art of the Commonplace, yet not read by me until 2007!), he writes:

“We have lived by the assumption that what was good for us would be good for the world. And this has been based on the even flimsier assumption that we could know with any certainty what was good even for us. We have fulfilled the danger of this by making our personal pride and greed the standard of our behavior toward the world – to the incalculable disadvantage of the world and every living thing in it. And now, perhaps very close to too late, our great error has become clear. It is not only our own creativity – our own capacity for life – that is stifled by our arrogant assumption; the creation itself is stifled.”

Berry’s prescient prognosis nearly 60 years ago reverberates in most of his writing since then, but not without a great deal of optimism and love. He has never given up hope that man will do the right thing.

Recently I was reading a collection of his Mad Farmer poems and found myself reading and rereading Manifesto: The Mad Farmer Liberation Front, an enthusiastic exhortation to “do something every day that won’t compute.”  (Please read it!)

Examples include: Love someone who doesn’t deserve it…ask the questions that have no answers…put your faith in the two inches of humus that will build under the trees every thousand years…Be joyful though you have considered all the facts…”

And my favorite, the last lines:

“Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.”

That image of the crafty fox makes me smile. (How many times have I made too many tracks, often in the wrong direction?!) Perhaps the fox is intentionally misleading those who might be inclined to follow a straight line (or him). Or maybe the fox knows the wisdom of a circuitous path through life. And definitely Berry means to exhort us to question the status quo — whether in the world at large or in our own lives.

The word ‘crafty’ has two definitions that at first look seem to have nothing to do with each other:


This is Google’s (Oxford English Languages) take:

1.    Clever at achieving one’s aims by indirect or deceitful measures.

2.   Involving the making of decorative objects and other things by hand.


But Merriam-Webster’s streamlined approach exposes a similarity in both definitions:

1.    Skillful, clever

2.   Adept in the use of subtlety and guile.

“Artful” is offered as a synonym for both.

I like the idea that being crafty in an artistic way is so closely aligned with being deliberately subtle in revealing intention. What is art if not an invitation to wander off the expected path?

Yesterday I found myself consumed by a spontaneous crafting activity. Having spotted grape vines in the woods (thanks to my partner who pointed out the luminous yellow leaves), I wondered why I’d never thought to gather them and make a wreath from them. Wild grapes grow all over Martha’s “Vineyard,” though the grapes themselves are not very palatable. But it took me 14 years to look at them with a slightly different eye.

I clipped some of the vines (they were in a semi-dry state, still pliable), dragged them home and intended to leave them be until I had time to do something with them.

But I was afraid they’d dry out so I began twining them together. An hour later, I had a wreath, haphazardly and inexpertly decorated with garden flotsam and jetsam. What it looked like hardly mattered – it was the act of defying the time pressure I felt to “work,” “to check things off the list,” “to accomplish tasks” that was my heart’s not-so-subtle way of thumbing its nose at my head.

My spirit is crafty like that. Just when I am about to melt under a mountain of man-made minutia, nature beckons me off the path to a place where time stands still and the simple art of crafting something lovely from nature becomes a message to myself, as Berry advises, to “do something every day that won’t compute.”

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